Dashwood extracts a promise from his son, that he will take care of his half-sisters; however, John's selfish and greedy wife, Fanny, soon persuades him to renege. John and Fanny immediately take up their place as the new owners of Norland, while the Dashwood women are reduced to the position of unwelcome guests. Mrs. Dashwood begins looking for somewhere else to live. In the meantime, Fanny's brother, Edward Ferrars, a pleasant, unassuming, intelligent but reserved young man, visits Norland and soon forms an attachment with Elinor. Fanny disapproves the match and offends Mrs. Dashwood with the implication that Elinor is motivated by money rather than love. Mrs. Dashwood indignantly speeds her search for a new home. Mrs. Dashwood moves her family to Barton Cottage in Devonshire, near the home of her cousin, Sir John Middleton. Their new home lacks many of the conveniences that they have been used to; however, they are warmly received by Sir John, and welcomed into the local society—meeting his wife, Lady Middleton, his mother-in-law, Mrs. Jennings and his friend, the grave, quiet and gentlemanly Colonel Brandon. It soon becomes apparent that Colonel Brandon is attracted to Marianne, and Mrs. Jennings teases them about it. Marianne is not pleased as she considers the thirty-five-year-old Colonel Brandon an old bachelor, incapable of falling in love or inspiring love in anyone else. Marianne, out for a walk, gets caught in the rain, slips and sprains her ankle. The dashing, handsome John Willoughby sees the accident and assists her. Marianne quickly comes to admire his good looks and outspoken views on poetry, music, art and love. Mr. Willoughby's attentions are so overt that Elinor and Mrs. Dashwood begin to suspect that the couple are secretly engaged. Elinor cautions Marianne against her unguarded conduct, but Marianne refuses to check her emotions, believing that it is a falsehood. Unexpectedly one day, Mr. Willoughby informs the Dashwoods that his aunt is sending him to London on business, indefinitely. Marianne is distraught and abandons herself to her sorrow.

**

Amazon.com Review

Though not the first novel she wrote, Sense and Sensibility was the first Jane Austen published. Though she initially called it Elinor and Marianne, Austen jettisoned both the title and the epistolary mode in which it was originally written, but kept the essential theme: the necessity of finding a workable middle ground between passion and reason. The story revolves around the Dashwood sisters, Elinor and Marianne. Whereas the former is a sensible, rational creature, her younger sister is wildly romantic--a characteristic that offers Austen plenty of scope for both satire and compassion. Commenting on Edward Ferrars, a potential suitor for Elinor's hand, Marianne admits that while she "loves him tenderly," she finds him disappointing as a possible lover for her sister:

Oh! Mama, how spiritless, how tame was Edward's manner in reading to us last night! I felt for my sister most severely. Yet she bore it with so much composure, she seemed scarcely to notice it. I could hardly keep my seat. To hear those beautiful lines which have frequently almost driven me wild, pronounced with such impenetrable calmness, such dreadful indifference!

Soon however, Marianne meets a man who measures up to her ideal: Mr. Willoughby, a new neighbor. So swept away by passion is Marianne that her behavior begins to border on the scandalous. Then Willoughby abandons her; meanwhile, Elinor's growing affection for Edward suffers a check when he admits he is secretly engaged to a childhood sweetheart. How each of the sisters reacts to their romantic misfortunes, and the lessons they draw before coming finally to the requisite happy ending forms the heart of the novel. Though Marianne's disregard for social conventions and willingness to consider the world well-lost for love may appeal to modern readers, it is Elinor whom Austen herself most evidently admired; a truly happy marriage, she shows us, exists only where sense and sensibility meet and mix in proper measure. --Alix Wilber

From Library Journal

Austen's novels (e.g., Pride and Prejudice, Audio Reviews, LJ 11/1/92) have lately received so much well-deserved media attention that another version of her first novel, in yet another format, may appear redundant to persons not sufficiently acquainted with the author's charms. However, for her many admirers, both present and future, this new audiobook is a treasure, thanks to a superb reading by actress Susannah Harker. The talented narrator is an ideal interpreter of Austen's delightful paean to the virtue of sense as she traces the struggles of her young heroines to achieve happiness. Harker skillfully captures each character's personality through subtle inflection, and she keenly, yet unobtrusively, underscores the author's delicious irony. With a reading of such quality, the romantic predicaments of the Miss Dashwoods become all-absorbing and the hours fly by too quickly. Most highly recommended for all libraries.
Sister M. Anna Falbo, Villa Maria Coll. Lib., Buffalo, N.Y.
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